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Digital Fabrication and the Design Build Studio
This book explores the connection between digital fabrication and the design build studio in both academic and professional studios. The book presents 17 essays and cases studies from well-known scholars and practitioners, including Kengo Kuma, Joseph Choma, Dan Rockhill, Keith Zawistowski, and Marie Zawistowski, whose theoretical and practical work addresses design build at various levels.Four introductory essays trace the history of the design build movement, exploring the emergence of design build in the pedagogy of the Bauhaus, the integration of technology into architectural design, and the influence of the act of making on the design build studio.The rest of the book is divided into two parts; the first part looks at traditional pedagogical models for the design build studio, and the second part focuses on experimental methods used in design build programs.Together, these works discuss human behavior, social-cultural trends, and motivations in socially minded studios which are based on a service-learning model.They look at component-based studios where innovation allows for an increased level of research and testing of new materials and assemblies, sustainable principles, and zero-energy prototypes. Illustrated with over 200 color images, this book will be a valuable resource for architecture students, educators, and practitioners seeking to explore the impact of digital fabrication on the global design build movement.
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Manufacturing Phobias : The Political Production of Fear in Theory and Practice
Fear is a powerful emotion and a formidable spur to action, a source of worry and – when it is manipulated – a source of injustice.Manufacturing Phobias demonstrates how economic and political elites mobilize fears of terrorism, crime, migration, invasion, and infection to twist political and social policy and advance their own agendas. The contributors to the collection, experts in criminology, law, sociology, and politics, explain how and why social phobias are created by pundits, politicians, and the media, and how they target the most vulnerable in our society.Emphasizing how social phobias reflect the interests of those with political, economic, and cultural power, this work challenges the idea that society’s anxieties are merely expressions of individual psychology.Manufacturing Phobias will be a clarion call for anyone concerned about the disturbing consequences of our culture of fear.
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3D Printing Design : Additive Manufacturing and the Materials Revolution
To work with the materials of tomorrow, design students across visual arts disciplines need to understand the cutting edge of today.Whether you’re modelling in interiors, designing in fashion or constructing for interiors, in your work or as part of a final project, 3D Printing design is an encouraging guide to additive manufacturing within design disciplines.Francis Bitonti gives an insider’s view from his design studio on how 3D printing is already shaking up the industry, and where it’s likely to go next.Complete with interviews from designers, business owners and 3D-print experts throughout, Bitonti considers whether 3D body scans mean couture for all, how rapid prototyping can change your design method and if 3D printing materials can enhance medical design, amongst other areas of this emerging method of manufacture.This is inspirational reading for the designers of tomorrow.
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Furniture Manufacturing : A Production Engineering Approach
This volume covers all aspects of furniture manufacturing from a production engineering perspective. It takes a step-by-step pedagogical approach, dwelling on details which must be understood at every process, as the furniture makes its way through the factory shop floor. The content highlights the global industry, and discusses furniture design and manufacturing systems. The chapters also discuss every stage of the manufacturing process until the finished product is packaged. There is also emphasis on strength design of furniture, furniture testing, environmental compliance, and automation. The contents also discuss the optimization of furniture manufacturing through a mathematical approach and highlights the current global trends impacting the furniture manufacturing industry, especially the circular economy and Industry 4.0. This volume will a useful resource to those in academia and industry. ^
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What is the difference between manufacturing and production?
Manufacturing refers to the process of converting raw materials or components into finished goods through various techniques and processes. Production, on the other hand, is a broader term that encompasses all activities involved in creating goods or services, including manufacturing, but also includes activities such as planning, designing, and managing the entire process. In essence, manufacturing is a subset of production, focusing specifically on the physical transformation of materials into products.
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How to design the production?
To design the production, it is important to first understand the requirements and goals of the production. This includes determining the target audience, the message or story to be conveyed, and the resources available. Once these factors are understood, a production plan can be developed, outlining the necessary steps, timeline, and budget. This plan should consider all aspects of the production, including casting, scripting, set design, costume and makeup, lighting, sound, and post-production. Collaboration and communication among the production team are essential to ensure a cohesive and successful production.
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What is the difference between workshop production and workshop manufacturing?
Workshop production refers to the process of creating goods or products in a workshop setting, often involving skilled craftsmen and artisans. This can include activities such as woodworking, metalworking, and other forms of handcrafting. On the other hand, workshop manufacturing involves the use of machinery and advanced technology to produce goods in a workshop setting. This can include activities such as 3D printing, CNC machining, and other automated manufacturing processes. In essence, workshop production is more focused on traditional, manual craftsmanship, while workshop manufacturing involves more modern, automated techniques.
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Can someone explain the triangular relationship between design, manufacturing, and materials?
The triangular relationship between design, manufacturing, and materials refers to the interconnectedness of these three elements in the production of a product. Design influences the choice of materials and manufacturing processes, as it determines the functionality, aesthetics, and performance of the product. Materials selection is crucial in determining the manufacturability and performance of the product, and manufacturing processes must be chosen based on the design and materials to ensure efficient and cost-effective production. Ultimately, the success of a product depends on the harmonious integration of design, manufacturing, and materials.
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Behavioural Production : Semi-Autonomous Approaches to Architectural Design, Robotic Fabrication and Collective Robotic Construction
Autonomous manufacturing and cyber-physical systems are key enabling technologies of the Fourth Industrial Revolution (IR4) which are currently being incorporated into the building design and construction industries.These emerging IR4 technologies have the potential to effectively improve construction affordability and productivity, address current and future building demand, and reduce the environmental impact of the built environment.However, design approaches that make use of IR4 technologies are still relatively unexplored.While automation, such as mass production, promotes standardised design solutions, design thinking that embraces varying degrees of autonomy can lead to unique and considered approaches to design on an industrial scale. Behavioural Production: Semi-Autonomous Approaches to Architectural Design, Robotic Fabrication and Collective Robotic Construction explores design operating through the orchestration of spatiotemporal events.A multi-agent behaviour-based approach to computation is employed in architectural design and extended to individual and swarm-based robotic methods for additive manufacturing.Behavioural Production seeks to expand our capacity to engage with the world at large through varying degrees of autonomy.In an industrialised world where traditional craftsmanship has been marginalised and cannot scale to meet societal needs, this book speculates a means to bring scalable forms of creativity into the act of making.This is explored through the use of materials, generative algorithms, computer vision, machine learning, and robot systems as active agents in design conception and realisation.The book presents a collection of ideas, projects, and methods developed in the author’s design practices and research labs in the fields of architecture and computer science.This body of work demonstrates that engaging with semi-autonomous processes does not diminish authorship, but rather expands it into new forms of design agency that seamlessly integrate with emerging manufacturing and construction technologies whilst authoring distinctive design character.
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Custom Metal Fabrication Manufacturing Services CNC Anodizing Aluminum Machining Parts
Custom Metal Fabrication Manufacturing Services CNC Anodizing Aluminum Machining Parts
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Robotic Fabrication & Architectural Design
Robotics & Autonomous Systems 1: Integrated Approaches to Fabrication, Computation and Architectural Design presents design research from the University of Pennsylvania Weitzman School of Design’s MSD-RAS program.At present, architectural design and construction approaches are unable to meet immediate and projected societal needs in productivity, affordability, and sustainability or to adequately engage with the diverse conditions found in our built environment.The MSD-RAS seeks to address these challenges through bespoke design solutions that are integral to a critical and creative approach to production.Implied in the term “RAS”, the program seeks to harness the potential of AI and robotic systems to work more adaptively than automation affords.Primarily operating through the development of robotically fabricated prototypes, projects are presented that incorporate custom approaches to generative computational design, machine learning, robot tooling, real-time adaptive robot programming, sensor feedback, material and manufacturing processes or human-in-the-loop activities.Serving as a graphical reflection on the first three years of the program, research projects are presented alongside interviews with some of the program’s graduates together with insights into the exciting career trajectories they embarked on post-study.Essays from the program’s faculty dive deeper into several core topics such as the MSD-RAS’s approach to design research, critical engagement with industrial manufacturing processes, and the integration of semi-autonomous workflows in design and production.Also discussed is the program’s unique integrated approach to coursework and why it is inducive to the creation of novel collaborative work that expands design agency into unchartered territories and careers.
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The Fabrication of Louis XIV
Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure.In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries.Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to "invent" the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy.This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction.Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response.He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.
Price: 16.99 £ | Shipping*: 3.99 £
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What are the production costs of the material for manufacturing a concrete Lego brick?
The production costs of the material for manufacturing a concrete Lego brick include the cost of cement, aggregates (such as sand and gravel), water, and any additives or coloring agents. Additionally, there are costs associated with the energy required to mix and cure the concrete, as well as the molds used to shape the bricks. Overall, the production costs can vary depending on the quality and quantity of materials used, as well as the efficiency of the manufacturing process.
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What is the difference between media production and media design?
Media production involves the creation and execution of media content, such as films, television shows, and podcasts. It focuses on the technical and logistical aspects of bringing a media project to life, including filming, editing, and post-production. On the other hand, media design involves the conceptualization and visual representation of media content, such as graphic design, web design, and user interface design. It focuses on the artistic and creative aspects of media, including layout, color, typography, and user experience. In summary, media production is about bringing content to life, while media design is about shaping and presenting that content in a visually appealing and effective way.
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Can anyone design, print, and distribute flyers?
Yes, anyone can design, print, and distribute flyers. Designing a flyer can be done using various software programs or online tools. Printing can be done at home with a printer or at a professional printing shop. Distributing flyers can be done by hand, through direct mail, or by hiring a distribution service. It is important to ensure that the content of the flyer is clear, visually appealing, and targeted to the intended audience.
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How do you write about a stage design production?
When writing about a stage design production, it is important to first provide a brief overview of the production, including the title, playwright, director, and venue. Describe the overall aesthetic of the set design, including any notable features such as lighting, props, and special effects. Discuss how the stage design enhances the storytelling and mood of the production, and analyze how it contributes to the overall impact of the performance on the audience. Additionally, consider the practical aspects of the stage design, such as how it facilitates scene changes and actor movement.
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