Products related to Production:
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Furniture Manufacturing : A Production Engineering Approach
This volume covers all aspects of furniture manufacturing from a production engineering perspective. It takes a step-by-step pedagogical approach, dwelling on details which must be understood at every process, as the furniture makes its way through the factory shop floor. The content highlights the global industry, and discusses furniture design and manufacturing systems. The chapters also discuss every stage of the manufacturing process until the finished product is packaged. There is also emphasis on strength design of furniture, furniture testing, environmental compliance, and automation. The contents also discuss the optimization of furniture manufacturing through a mathematical approach and highlights the current global trends impacting the furniture manufacturing industry, especially the circular economy and Industry 4.0. This volume will a useful resource to those in academia and industry. ^
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Beyond Virtual Production : Integrating Production Technologies
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond.It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students and teachers will find inspiration and practical guidance in these chapters.
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Beyond Virtual Production : Integrating Production Technologies
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond.It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students and teachers will find inspiration and practical guidance in these chapters.
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Dance Production : Design and Technology
Dance Production: Design and Technology, Second Edition is an introduction to the skills needed to plan, design, and execute the technical aspects of a dance production. Covering a broad range of topics, author Jeromy Hopgood takes the reader through the process of producing dance from start to finish.Part I addresses the collaborative process, business and organizational concerns for dance companies, planning the production, and the relationship between dance and performance spaces/staging methods.In Part II, each unique production area is examined, including production and stage management, sound, costume and makeup, scenery and props, lighting, and projection/video design.Each design area is divided into two chapters – the first introducing key concepts, and the second focusing on the process of creating the design.Part III brings back the popular quick reference guides from the first edition, providing an expanded and revised tool to bridge the language gap between the worlds of theatrical production and dance, and ensure productive communication across the different fields.This second edition features updated information on technology and processes, two new chapters on touring and non-traditional productions, more information on arts management within dance production, a comprehensive look at dance and video (including remote/streaming performances, as well as dance film), and additional chapter projects throughout the book. This unique book approaches the process of staging a dance production from a balanced perspective, making it an essential resource for choreographers, theatre designers, dancers, and management personnel alike, including for use in Dance and Dance Production courses.
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How to design the production?
To design the production, it is important to first understand the requirements and goals of the production. This includes determining the target audience, the message or story to be conveyed, and the resources available. Once these factors are understood, a production plan can be developed, outlining the necessary steps, timeline, and budget. This plan should consider all aspects of the production, including casting, scripting, set design, costume and makeup, lighting, sound, and post-production. Collaboration and communication among the production team are essential to ensure a cohesive and successful production.
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What is the difference between manufacturing and production?
Manufacturing refers to the process of converting raw materials or components into finished goods through various techniques and processes. Production, on the other hand, is a broader term that encompasses all activities involved in creating goods or services, including manufacturing, but also includes activities such as planning, designing, and managing the entire process. In essence, manufacturing is a subset of production, focusing specifically on the physical transformation of materials into products.
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What is the difference between 1. production manager, 2. production manager, set production manager, and location production manager?
A production manager is responsible for overseeing the overall production process, including scheduling, budgeting, and coordinating the various departments involved in a project. A set production manager specifically focuses on managing the production activities on the set, including coordinating with the director, cast, and crew. A location production manager is responsible for managing the production activities at specific filming locations, including obtaining permits, coordinating with local authorities, and ensuring the smooth operation of the production at that location. Each role has a specific focus within the overall production process, with the production manager overseeing the entire production, the set production manager focusing on the activities on set, and the location production manager managing the activities at specific filming locations.
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What is the difference between workshop production and workshop manufacturing?
Workshop production refers to the process of creating goods or products in a workshop setting, often involving skilled craftsmen and artisans. This can include activities such as woodworking, metalworking, and other forms of handcrafting. On the other hand, workshop manufacturing involves the use of machinery and advanced technology to produce goods in a workshop setting. This can include activities such as 3D printing, CNC machining, and other automated manufacturing processes. In essence, workshop production is more focused on traditional, manual craftsmanship, while workshop manufacturing involves more modern, automated techniques.
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Toyota Production System : Beyond Large-scale Production
In this classic text, Taiichi Ohno--inventor of the Toyota Production System and Lean manufacturing--shares the genius that sets him apart as one of the most disciplined and creative thinkers of our time.Combining his candid insights with a rigorous analysis of Toyota's attempts at Lean production, Ohno's book explains how Lean principles can improve any production endeavor.A historical and philosophical description of just-in-time and Lean manufacturing, this work is a must read for all students of human progress.On a more practical level, it continues to provide inspiration and instruction for those seeking to improve efficiency through the elimination of waste.
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Production Management
Production Management takes you through the process of making shows happen from the point of view of the production manager's; the person responsible for everything on stage that is not an actor. It describes different types of productions, from small-scale amateur to international opera; the role, qualities and working life of backstage teams and finally, theatre administration. Production Management -Making Shows Happen - A Practical Guide
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Production Line
The first monograph on the first photographer to be awarded the Prize for Editorial, Advertising & Fashion Photography by the Royal Photographic Society, this extraordinary collection celebrates David Stewart’s surreal eye and his literal focus on the unusual, the bizarre and the deadpan presentation of the unexpected.Meticulously composed tableaux create off-centre observations of everyday life that are simultaneously familiar and disturbing.This groundbreaking survey of of a lifetime of looking, thinking, composing and creating exceptional photographic compositions of the absurdity, comedy and nightmarish potential of everyday life will resonate with all.
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Language Production
Bringing together the latest research from world-leading academics, this edited volume is an authoritative resource on the psycholinguistic study of language production, exploring longstanding concepts as well as contemporary and emerging theories.Hartsuiker and Strijkers affirm that although language production may seem like a mundane everyday activity, it is in fact a remarkable human accomplishment.This comprehensive text presents an up-to-date overview of the key topics in the field, providing important theoretical and empirical challenges to the traditional and accepted modal view of language production.Each chapter explores in detail a different aspect of language production, covering traditional methods including written and signed production alongside emerging research on joint action production.Emphasizing the neurobiological underpinnings of language, chapter authors showcase research that moves from a monologue-only approach to one that that considers production in more ecologically valid circumstances.Written in an accessible and compelling style, Language Production is essential reading for students and researchers of language production and psycholinguistics, as well as anyone who wishes to learn more about the fascinating topic of how humans produce language.
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'Warehouse or Production?'
When deciding between a warehouse or production facility, it is important to consider the specific needs of your business. A warehouse is typically used for storing and distributing finished goods, while a production facility is used for manufacturing products. If your business focuses on storing and distributing goods, a warehouse may be more suitable. However, if your business involves manufacturing products, a production facility would be more appropriate. Ultimately, the decision should be based on the nature of your business operations and requirements.
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What is the difference between series production and batch production?
Series production involves producing a large quantity of identical products continuously, often using assembly line techniques, while batch production involves producing a specific quantity of products at a time before moving on to the next batch. In series production, the production process is more streamlined and efficient, as it is optimized for producing the same product repeatedly. Batch production allows for more flexibility in terms of product variations and customization, as each batch can be adjusted to meet specific requirements. Overall, series production is more suitable for high-volume production, while batch production is better suited for smaller quantities and more diverse product lines.
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What is the difference between batch production and continuous production?
Batch production involves producing a specific quantity of a product before moving on to the next batch, with each batch having a distinct start and end point. On the other hand, continuous production involves a constant flow of raw materials and output, with production running 24/7 without stopping. Batch production is more flexible and allows for easier customization of products, while continuous production is more efficient and cost-effective for high-volume production of standardized goods.
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What is the difference between bench production and workshop production?
Bench production involves individual workers completing a specific task or product at their own workstations, while workshop production involves a group of workers collaborating on different aspects of a project in a shared workspace. Bench production is more suitable for smaller-scale, specialized tasks, while workshop production is better for larger projects that require multiple skills and resources. Workshop production allows for more flexibility and creativity in problem-solving, while bench production can be more efficient for repetitive tasks.
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